Payments
Direct debit costs the family nothing, and the studio's own sibling, loyalty and early payment rules are applied as the invoices are raised. The rules are set once; after that only the exceptions need a person.
Plenty of families enrol two or three children on one account. Moving a Tuesday class lands on forty households at once. The costume levy falls due in the same week as the fee. Nixie is studio management built around the way a dance school actually runs its term.
This is the screen you land on. Every block carries its time, its places filled, its studio and its teacher.
The money, the requests, the rooms, the building and the week itself. Pick one to bring it forward, then read it flat underneath.
Every term fee runs by direct debit at no fee to the family, with the studio's own discount rules applied as the invoices are raised. The studio sets the rules once and then looks only at the exceptions.
A term's fees, the rooms that earn them and the one studio sitting pale all week are the same question asked three ways. Nixie keeps them next to each other, so the answer sits in one scroll.
Direct debit costs the family nothing, and the studio's own sibling, loyalty and early payment rules are applied as the invoices are raised. The rules are set once; after that only the exceptions need a person.
Every studio drawn on its own floor and shaded by how hard it works, measured in hours booked, seats filled or revenue earned. Support spaces stay hatched and sit outside every figure.
The whole building drawn open over its floors, so you look down into every space in the place you would walk past it. A quiet room stops being a number in a report and becomes a pale room you can point at.
Rooms warm as classes fill them and fade when they empty. The pale one is the one to ask about.
Empty Quiet Ticking over Working hard At capacity Not a teaching space
Sarah Whitfield signs in once and finds both her dancers, Ava and Mia, in one place: the class name, the day and time, the teacher and the room. Behind that sits her statement, and every invoice on it belongs to her account. Nothing from any other family appears there, and there is no class roll.
A private lesson is two diaries and can genuinely move. A group class runs at one time for everybody in it, so what a family is really asking for is a transfer, and that depends on space. Either way a person at the studio decides. Approving it tells the family and the teacher whose class moved, in the same action.
Asks to move Ava's private lesson from Tuesday 7:00pm to Thursday 5:30pm.
Picks it up in the queue, with the room and the teacher already checked.
Ava's private lesson now runs Thursday 5:30pm in Studio 4, with Marguerite Hale.
Your Tuesday 7:00pm private lesson with Ava moves to Thursday 5:30pm, Studio 4.
Stated plainly, so you can check every line of it.
Stored in Sydney, encrypted at rest.Family records, enrolments and attendance sit in an Australian data centre and are encrypted where they sit.
Bank and card numbers stay with the payment provider.Nixie holds only a token that can charge the account, and that token reveals nothing about it.
Traffic is inspected before it arrives.Every request passes through a security network that checks it at the data centre nearest the visitor. For people in Australia that is normally an Australian one, which follows from how the network routes.
Sign-in runs on identity you already have.Sign in with Google, with Microsoft, or with a link emailed to the address the studio already holds. Passwords stay out of it entirely.
Australian dollars, GST inclusive. The ceiling starts to bind at 156 students, so the larger the school the less it pays a head. Email is included. SMS is a paid add-on. Payment processing is billed to you directly by the payment provider, and that money stays with them.
The week, the rooms, the teachers and the families sit together, priced on the students you actually enrol.